There is a tendency in times of upheaval to overestimate the agency of certain individuals. Anxieties engender a cast of heroes and villains making games of global events. But the kernels of truth in these conceptions obscure the relatively small influence such figures exert on our daily lives. Still, there is comfort in the notion that somebody, somewhere, is in charge; perhaps because it suggests that we, ourselves, possess more agency than we perceive and are not, as so often seems, simply adrift on the currents of fate.
I had been considering what little influence I could exert in my own life when I came across John C. Mannone’s poem, “Bathing My Mother,” in the Spring 2017 issue of Intima. The role reversal revealed in the title suggests a loss of control: the mother’s inability to care for herself; a child compelled to perform a task he must find, on some level, distressing. Yet, there is little trace of distress in the poem; instead, the speaker seems calmed as a familiar ritual unfolds: “I guide her disrobed frailness / from walker to bath chair, she lifts / her arm from my shoulder to wall’s / handrail—shiny in the half-light. I wash.” In such attention to detail, a rite of devotion reveals itself, transforming both the bathed (“a rebirth pouring / in thin sheets down her back, each vertebra /) and the bather, whose relationship to his own partner takes on renewed tenderness.
I didn’t intend to write about “the helpers,” as Fred Rogers described those duty-bound to serve in dangerous times, when I began scribbling the first draft of “The Folded Flag,” a short story in the Winter 2024 issue. I thought I was depicting a battle of wills between individuals struggling to master their fates. The story unfolds through dialogue—primarily argument—between two hospitalized patients. A Korean War veteran has taken an experimental treatment for a novel virus and tries to convince his skeptical roommate to do the same. Ultimately, the argument is pointless as both men, despite different choices, meet the same end.
As the combatants recede, minor characters take their places. An ICU nurse, Lara, overstays her shift to attend to “certain rituals of care…as essential to the healing process as CT scans and antibiotics.” In the final scenes, it is as if the lights have been turned on in a theater, revealing a chorus of helpers who have been toiling in the shadows. They are the clerks, residents, nursing students, volunteers, cleaning staff, and honor guard who devote themselves, day in and day out and at great personal expense, to the rigors of caretaking. These are not the heroes of popular conception, yet their attention to details as small and significant as a neatly creased flag may be the only form of heroism that makes any difference.
Gaetan Sgro is an internal medicine doctor, girl dad, and associate professor of medicine at the University of Pittsburgh School of Medicine where he directs a program in the medical humanities. His writing has appeared in Rattle, The Bellevue Literary Review, Hippocampus, Gravel, Hektoen International, The Healing Muse, Annals of Internal Medicine, JAMA, Best New Poets, and elsewhere. Read more of his work at GaetanSgro.com