A nurse, poet, and educator ponders the lot of patients—one that often includes loss of identity, dislocation in time and space, and of course, waiting.
Read moreThe Chance to Say Goodbye... or Not: Thoughts about being prepared—or surprised— by death by end-of-life doula Virginia Chang
An end-of-life doula reflects on their experiences with dying patients and concludes by offering three life lessons.
Read moreExploring End-of-Life themes in "Nay Nay's Rebirth," a short story by Sara Lynne Wright
A retired surgeon reflects on a short story published in this journal—and in doing so, also contemplates how a comfortable and humane death can be fulfilled at the end of life.
Read morePoems Help Us Deal with Change and Choice by Anne Corey
A writer advocates for the power of poetry—as well as its curious ability to make us better accept uncertainty, mystery, and even ourselves.
Read moreThe Sincerity of A Great Story: A Reflection on “A Life” by Judith Hannah Weiss
A writer analyzes a piece of fiction published in this journal—and comes to discover the power contained within each line of writing.
Read moreSavoring Sunset: A reflection on saying goodbye by physician assistant Sara Lynne Wright
A physician assistant ruminates about the cycle of life, of sunrise and sunset—and how we can better appreciate each waking moment.
Read moreA Sound Mind in a Sound Body, a reflection by poet Anastasia Vassos
© Pillar of Light by Jacqueline Pflaum-Carlson. Spring 2022 Intima
A writer and poet finds inspiration in the body’s architecture and corporeal underpinnings.
Read moreWho Knows How the Body Turns? A Reflection on Lyme and Rheumatoid Arthritis by Sheila Luna
A writer living with rheumatoid arthritis finds companionship in another writer living with Lyme disease. Although these two diseases may be different, they continue to manifest in similar ways.
Read morePoets on Poets: A Look Back and Forward by Ellen Goldsmith
A poet reflects on what companion poets and their poetry can offer us in the face of unexpected illness and loss.
Read moreHow to "Do" Breast Cancer by Dena Brownstein
A retired physician not only examines her personal experience with cancer, but also questions whether there is a single “right” way to perform a cancer diagnosis.
Read moreThe Role of the Medical Television Drama in Cinemeducation
What is the purpose of the now-ubiquitous medical television drama in the age of pandemics? And whose voice does it center: the physician’s or the patient’s?
Read moreTo Enhance, Supplement, and Support
What is the physician’s role in the clinical encounter, and what is their responsibility to the patient? A physician reflects.
Read moreOn Witnessing Another’s Pain—Or Is It Our Own?
When one exists in close proximity to the pain of another, whose testimony is it? A scholar reflects on the shared experience that can result from suffering.
Read moreThe Wisdom of the Pomegranate: A Reflection on Poetry and Mothers by Sina Foroutanjazi
The void, the empty feeling of loss; this is perhaps what connects Ceren Ege’s Dictum Wisdom (Intima, Fall 2021) and Pomegranate Protocol (Intima, Fall 2021) above and beyond their chronological relationship.
Read moreWays of Knowing (and Not Knowing) When the Prognosis is Terminal by writer PK Kennedy
"Right in here, remove your clothes. Underwear and bra can stay on but put the robe on so it's open in the back, not the front, okay?"
The words are coming at me in a torrent; I can’t understand any of them, but I know the drill.
I throw my stuff in a bag, take a deep breath, and open the door to the inpatient surgical waiting room. It smells like alcohol and ice and has no memories I can sense. Am I the first person that’s ever come here?
“You’re here for the lumbar?”
I cut her off before she could say puncture. "Yes."
Read moreWritten in the Stars: A Reflection on Youth Cancer by Will Moody
For every young adult diagnosed with cancer, a time comes when we ask ourselves a question.
Why?
Why did this happen to me? Why now? They are not questions we want an answer to, but as humans, we crave finding meaning in our lives. We do it because the alternative is accepting that cosmic randomness determines our very breath.
Why did this happen to me? Why now? They are not questions we want an answer to, but as humans, we crave finding meaning in our lives. We do it because the alternative is accepting that cosmic randomness determines our very breath.
Read moreBedside Mannerisms: Finding the time to care by pediatrics resident Vidya Viswanathan
In medical training, there is an increasing didactic focus on empathy and professionalism. In many of these sessions, I have learned certain skills: Sit down at the patient’s level. Ask them open-ended questions. Don’t interrupt. Use an in-person, video or phone interpreter. These skills are helpful. But often, they run up against the great limiting factor in many of our clinical encounters: time.
Read moreOn Vulnerability and Transformation, a reflection on open hearts and medical training by hematologist-oncologist Jennifer Lycette
“Retrospection Series” (Fall 2019 Intima), Joseph Burns writes on undergoing open-heart surgery at age twenty-three, only two months before In he started medical school. At first, he is reluctant to share his story with his peers. “It was a secret that was contained within the walls of the physical exam simulation rooms.” But as his training moves forward, he is motivated by his experiences “to become the best physician possible…to be the one who provides care, love, compassion, and primarily hope in situations where all may seem lost.”
Read morePlaying Favorites: When Caregivers Recognize a Wider Capacity to Love by Flo Gelo
“The Favorite” (Spring 2021 Intima) by clinician Amy Tubay is a story about having one. It’s a story about the defiant heart—how certain patients enter our affections in ways that are largely mysterious. That love—a love that overrides rules and regulations—isn't something we pay enough attention to in the health professions.
Read moreGetting it Right, Even When it Feels Wrong: A Reflection by poet Ceren Ege
In his video “Inside Anxiety and Depression,” William Doan’s words “writing is drawing” were a reminder of my existence as a poet and artist, and how the latter is an identity I felt uncomfortable with for a long time. I squirmed at the creation of “art” out of another’s suffering, even though my father’s illness felt like the only thing worth writing about. Now I sit with a different question: whether anyone’s suffering is entirely separate. I think owning suffering defeats the very aim of why we move it to articulation—to release it, to divide the burden of it, and to comprehend it with others.
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